BACKER, G. DE (Belg.) worked between 1711 and 1715, and his medals mostly refer to the advent and reign of Maximilian Emmanuel, Elector of Bavaria, Count of Namur, Duke of Luxemburg and Count of Chiny. He engraved seals as well ; on one of the sovereign bailliwicks of Namur his signature is found in full : G. DE BACKER LAN. All the medals and jetons known of him are signed B or G. D. B. or G. D. BAC. or D. BA. and represent either a bust or a full-length portrait of Max. Emmanuel on obv. It is not known whether he was employed also to engrave the Ecus, Half-écus and Quarters struck at Namur it 1713, but it is not unlikely he cut dies for this coinage. Bibliography. — A. Pinchart, Médailleurs beiges, 1854.
Source: Biographical dictionary of medallists; coin, gem, and seal-engravers, mint-masters, ancient and modern, with references to their works B.C. 500-A.D. 1900; compiled by L. Forrer, London 1904
Source: Biographical dictionary of medallists; coin, gem, and seal-engravers, mint-masters, ancient and modern, with references to their works B.C. 500-A.D. 1900; compiled by L. Forrer, London 1904
ANTONIO DA BRESCIA, FRA
ANTONIO DA BRESCIA, FRA (Ital.). Several medals have been attributed to this Artist, who worked between 1487 and 1513. That of Nicolo Vonica of Trevisa, signed FRA.AN BRIX. ME. FECIT. undoubtedly by a medallist, whose name must be Frater Antonio da Brescia, or Francesco Antonio, or Francesco d'Antonio ; another, of Girolamo Saorniano, the defender of Osopo for the Venetians against the Emperor in 1513 bears the same character,, and is probably by this artist. But the following, signed F.A.B., of...
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ANTONIO DA BRESCIA, FRA (Ital.). Several medals have been attributed to this Artist, who worked between 1487 and 1513. That of Nicolo Vonica of Trevisa, signed FRA.AN BRIX. ME. FECIT. undoubtedly by a medallist, whose name must be Frater Antonio da Brescia, or Francesco Antonio, or Francesco d'Antonio ; another, of Girolamo Saorniano, the defender of Osopo for the Venetians against the Emperor in 1513 bears the same character,, and is probably by this artist. But the following, signed F.A.B., of...
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APPOLLONIDES
APPOLLONIDES (Greek). Engraver of Gems, whose ability has been praised by historians, although there is no record of a work of his having come down to us. This artist's signature appears on modern cut gems mentioned by King : Cameo fragment of a cow lying down (sold by Stosch to the Duke of Devonshire for 1000 guineas); — Ox grazing, amethyst (Raspe) ; — Cow lying down, as on the cameo, sard. (Hague) ; — Mask, garnet (Berlin). Bibliography. — Babelon, op. cit., p. 158. — King, Antique Gems, p. 2...
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APPOLLONIDES (Greek). Engraver of Gems, whose ability has been praised by historians, although there is no record of a work of his having come down to us. This artist's signature appears on modern cut gems mentioned by King : Cameo fragment of a cow lying down (sold by Stosch to the Duke of Devonshire for 1000 guineas); — Ox grazing, amethyst (Raspe) ; — Cow lying down, as on the cameo, sard. (Hague) ; — Mask, garnet (Berlin). Bibliography. — Babelon, op. cit., p. 158. — King, Antique Gems, p. 2...
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APPOLLONIOS
APPOLLONIOS (Greek). An amethyst, representing Diana huntress, in the Museum of Naples, bears the signature AMO???NIOY. It is a remarkable work, which may have been copied from the Artemis of Praxiteles at Anticyra, the type of which appears on the coins L. Forrer. — Biographical Notices of Medallists. —I. of that city. Another gem, with head of M?cenas, in jacinth (Rhodes) bears the same signature. An intaglio by this artist figures on the celebrated signet, known as that of Asander, King ...
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APPOLLONIOS (Greek). An amethyst, representing Diana huntress, in the Museum of Naples, bears the signature AMO???NIOY. It is a remarkable work, which may have been copied from the Artemis of Praxiteles at Anticyra, the type of which appears on the coins L. Forrer. — Biographical Notices of Medallists. —I. of that city. Another gem, with head of M?cenas, in jacinth (Rhodes) bears the same signature. An intaglio by this artist figures on the celebrated signet, known as that of Asander, King ...
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ARBIEN, MAGNUS GUSTAVUS
ARBIEN, MAGNUS GUSTAVUS (Swed) 1727-1760, was born in Norway, his father being a Swede. He studied die-sinking first at Copenhagen, then under Hedlinger at Stockholm, where he worked from 1745-6. He spent some time at St. Petersburg, but died at Stockholm in 1760. He is the author of the following medals, which are of special interest to English collectors : Re-marriage of Frederick, Prince of Denmark, and Princess Louisa, 1743 ; — Birth of Prince Christian of Denmark, 1745; — Coronation of Prin...
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ARBIEN, MAGNUS GUSTAVUS (Swed) 1727-1760, was born in Norway, his father being a Swede. He studied die-sinking first at Copenhagen, then under Hedlinger at Stockholm, where he worked from 1745-6. He spent some time at St. Petersburg, but died at Stockholm in 1760. He is the author of the following medals, which are of special interest to English collectors : Re-marriage of Frederick, Prince of Denmark, and Princess Louisa, 1743 ; — Birth of Prince Christian of Denmark, 1745; — Coronation of Prin...
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