CARNEIRO (American). Contemporary Medallist of Rio de Janeiro. His signature appears on a large Brazilian medal of 1871, in honour of Val. de Lauradio, and on another, commemorating the Abolition of Slavery.
Source: Biographical dictionary of medallists; coin, gem, and seal-engravers, mint-masters, ancient and modern, with references to their works B.C. 500-A.D. 1900; compiled by L. Forrer, London 1904
Source: Biographical dictionary of medallists; coin, gem, and seal-engravers, mint-masters, ancient and modern, with references to their works B.C. 500-A.D. 1900; compiled by L. Forrer, London 1904
BYLAER, JAN VAN
BYLAER, JAN VAN (Dutch). Sculptor, and Medallist of Utrecht; he was governor of the Job-Hospital, and his name appears in the list of the Guild of St Luke. His works date between 1622 and 1645. He is the Engraver of medals of Maurice, Prince of Orange, 1624, struck in commemoration of the victories gained in 1624 by the Dutch fleet over that of Spain off Peru and Brazil; — Frederick Henry, Prince of Orange, Knight of the Garter, 1627; — Conquest of the West Indies by the admirals L'Hermite and W...
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BYLAER, JAN VAN (Dutch). Sculptor, and Medallist of Utrecht; he was governor of the Job-Hospital, and his name appears in the list of the Guild of St Luke. His works date between 1622 and 1645. He is the Engraver of medals of Maurice, Prince of Orange, 1624, struck in commemoration of the victories gained in 1624 by the Dutch fleet over that of Spain off Peru and Brazil; — Frederick Henry, Prince of Orange, Knight of the Garter, 1627; — Conquest of the West Indies by the admirals L'Hermite and W...
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CAIUS or GAIUS
CAIUS or GAIUS (Roman). A Sirian garnet of the Marlborough Collection, with a very deeply cut full-face head of the dog Sirius, bears on the dog's collar the signature : ?AIOC EMOIEI. Raspe calls this a work of Natter's. King mentions two intagli, formerly in Roger Bacon's cabinet, a jacinth, with Silenus seated playing on the double flute, and a sard, with bust of a girl, her finger on her lips, similarly signed. It is however open to doubt whether this signature is authentic. Bibliography. — C...
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CAIUS or GAIUS (Roman). A Sirian garnet of the Marlborough Collection, with a very deeply cut full-face head of the dog Sirius, bears on the dog's collar the signature : ?AIOC EMOIEI. Raspe calls this a work of Natter's. King mentions two intagli, formerly in Roger Bacon's cabinet, a jacinth, with Silenus seated playing on the double flute, and a sard, with bust of a girl, her finger on her lips, similarly signed. It is however open to doubt whether this signature is authentic. Bibliography. — C...
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CAJET, ANTON
CAJET, ANTON (Germ.). Coin and Medal-engraver of the first three decades of the eighteenth century. He died in 1738. He- was also Warden of the Mint of the Counts Palatine, at Heidelberg, 1716-1738, and worked as a goldsmith for Philipp von der Pfalz. His coins and medals are signed A. C, as for instance the commemorative medals of the Repairing of the Heidelberg cask, 1716 and 1727. Bibliography. — Bolzenthal, Skizzen zur Kunstgeschichte der modernen Medaillen- Arbeit (1429-1846), Berlin, 1840....
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CAJET, ANTON (Germ.). Coin and Medal-engraver of the first three decades of the eighteenth century. He died in 1738. He- was also Warden of the Mint of the Counts Palatine, at Heidelberg, 1716-1738, and worked as a goldsmith for Philipp von der Pfalz. His coins and medals are signed A. C, as for instance the commemorative medals of the Repairing of the Heidelberg cask, 1716 and 1727. Bibliography. — Bolzenthal, Skizzen zur Kunstgeschichte der modernen Medaillen- Arbeit (1429-1846), Berlin, 1840....
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CALANDRELLI
CALANDRELLI (Ital.). Gem-engraver of the beginning of the nineteenth century. He produced a considerable number of forgeries, most of which were purchased as antique by the Berlin Museum in 1847. Furtwaengler surmises that he was the author of a cameo, in the same museum, signed A?A?OMOYC . EM. The great demand for gems in England, Germany, Russia, and France, under the first Empire, and later, set a number of forgers at work, and for a time Europe was inundated with their productions, which mos...
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CALANDRELLI (Ital.). Gem-engraver of the beginning of the nineteenth century. He produced a considerable number of forgeries, most of which were purchased as antique by the Berlin Museum in 1847. Furtwaengler surmises that he was the author of a cameo, in the same museum, signed A?A?OMOYC . EM. The great demand for gems in England, Germany, Russia, and France, under the first Empire, and later, set a number of forgers at work, and for a time Europe was inundated with their productions, which mos...
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