DUTHIL (French). Mint-master at Bordeaux, from the 11th to the 13th year of the First Republic. Distinctive mark, an antique lamp.
Source: Biographical dictionary of medallists; coin, gem, and seal-engravers, mint-masters, ancient and modern, with references to their works B.C. 500-A.D. 1900; compiled by L. Forrer, London 1904
Source: Biographical dictionary of medallists; coin, gem, and seal-engravers, mint-masters, ancient and modern, with references to their works B.C. 500-A.D. 1900; compiled by L. Forrer, London 1904
Mint master:
In medieval and early modern Germany, the Münzmeister ("mint master", the Latin term is monetarius) was the director or administrator of a mint, a moneyer with responsibility for the minting of coins, or specie. His duties were defined differently at different locations and ages.
DOMARD, JOSÉPH FRANCOIS
DOMARD, JOSÉPH FRANCOIS (French). 1792-1858. Medallist, and Gem-engraver of the first half of the nineteenth century. Pupil of Cartellier and Jeuffroy. Entered the Ecole des Beaux- Arts in 1810, and won three years later the second Grand Prix for medalengraving : Ulysses recognized by his dog. His productions are numerous, but the period of his greatest activity was comprised between 1824 and 1837. This artist largely contributed to the Galerie métallique des grands hommes de la France, among wh...
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DOMARD, JOSÉPH FRANCOIS (French). 1792-1858. Medallist, and Gem-engraver of the first half of the nineteenth century. Pupil of Cartellier and Jeuffroy. Entered the Ecole des Beaux- Arts in 1810, and won three years later the second Grand Prix for medalengraving : Ulysses recognized by his dog. His productions are numerous, but the period of his greatest activity was comprised between 1824 and 1837. This artist largely contributed to the Galerie métallique des grands hommes de la France, among wh...
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DOMAS, LOUIS THÉODORE
DOMAS, LOUIS THÉODORE (French). Contemporary Sculptor and Gem-engraver, born at Paris; pupil of J. Lequien and H. Francois. At the Salon of 1901 he exhibited a cameo on sardonyx of three strata representing Daphnis and Chloe; — 1902. The Thread of the Virgin, cameo on sardonyx of three strata. By him are further : 1895. Catherine the Great, sard cameo ; — Diane de Poitiers; — 1896. Joan of Arc; — 1897. Minerva; — Psyche, sardonyx; — 1898. Mercury robbing Apollo's bow and quiver, cameo; — 1899. T...
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DOMAS, LOUIS THÉODORE (French). Contemporary Sculptor and Gem-engraver, born at Paris; pupil of J. Lequien and H. Francois. At the Salon of 1901 he exhibited a cameo on sardonyx of three strata representing Daphnis and Chloe; — 1902. The Thread of the Virgin, cameo on sardonyx of three strata. By him are further : 1895. Catherine the Great, sard cameo ; — Diane de Poitiers; — 1896. Joan of Arc; — 1897. Minerva; — Psyche, sardonyx; — 1898. Mercury robbing Apollo's bow and quiver, cameo; — 1899. T...
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DOMENICO COMPAGNI
DOMENICO COMPAGNI (surnamed DE' CAMEl). Milanese Gemengraver of the early part of the sixteenth century. His master piece is a portrait of Ludovico II Moro, cut on a Balais ruby, ten lines in diameter; otherwise, very little is known of this artist. The circumstance that Domenico obtained his appellation from his special excellence in works in cameo, adds to the probability that some cameos of Louis XII. of France; — Ludovico II Moro; — Louis Marquis of Saluzzo ; — Charles of Amboise, which are ...
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DOMENICO COMPAGNI (surnamed DE' CAMEl). Milanese Gemengraver of the early part of the sixteenth century. His master piece is a portrait of Ludovico II Moro, cut on a Balais ruby, ten lines in diameter; otherwise, very little is known of this artist. The circumstance that Domenico obtained his appellation from his special excellence in works in cameo, adds to the probability that some cameos of Louis XII. of France; — Ludovico II Moro; — Louis Marquis of Saluzzo ; — Charles of Amboise, which are ...
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DOMENICO DI POLO
DOMENICO DI POLO (also called DOMENICO DE' VETRI). Florentine Medallist, Gem-, and Coin-engraver of the first half of the sixteenth century. He was born at Florence, circa 1480, and was the son of Polo d'Angelo de'Vetri. The artist learnt the art of gem-engraving with Pier Maria da Pescia, under whom he was working in 1501. The date of his death is placed circ. 1547 or soon after, as the last mention made of him occurs in that year. His master-piece is a beautiful intaglio cut in emerald represe...
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DOMENICO DI POLO (also called DOMENICO DE' VETRI). Florentine Medallist, Gem-, and Coin-engraver of the first half of the sixteenth century. He was born at Florence, circa 1480, and was the son of Polo d'Angelo de'Vetri. The artist learnt the art of gem-engraving with Pier Maria da Pescia, under whom he was working in 1501. The date of his death is placed circ. 1547 or soon after, as the last mention made of him occurs in that year. His master-piece is a beautiful intaglio cut in emerald represe...
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