MEINHARDT, BARTHOLD (Germ.). Mint-master at Blankenburg (County of Regenstein), circ. 1564-66. He styled himself " Silberkremer aus Goslar", and was commissioned to strike currency of the weight and standard of that of Mansfeld. We find him later as Mint-master at Eisleben, Friedeborn, etc., circ. 1582-1595, during which period he signed coins of Count Peter Ernest (reigning in conjunction with Johann Albert, Johann Hoyer, Bruno II. and Hoyer Christoph ; and afterwards, with Bruno II., Gebhard VIII. and Johann Georg).
Source: Biographical dictionary of medallists; coin, gem, and seal-engravers, mint-masters, ancient and modern, with references to their works B.C. 500-A.D. 1900; compiled by L. Forrer, London 1904
Source: Biographical dictionary of medallists; coin, gem, and seal-engravers, mint-masters, ancient and modern, with references to their works B.C. 500-A.D. 1900; compiled by L. Forrer, London 1904
Mint master:
In medieval and early modern Germany, the Münzmeister ("mint master", the Latin term is monetarius) was the director or administrator of a mint, a moneyer with responsibility for the minting of coins, or specie. His duties were defined differently at different locations and ages.
MARTIN, DIEGO
MARTIN, DIEGO (Span.). Goldsmith of the fourth quarter of the sixteenth century, about whom Bolzenthal (p. 173) gives the following particulars : " Towards the end of the sixteenth century, an artist, who might pass for a second Cellini, worked for the Electoral Court of Brandenburg, in the reign of the Markgrave John George. A cloud seems to rest over his name and history, which we may perhaps succeed in dispelling. Might he not be identified in the Spanish goldsmith, Diego Martin, whose works ...
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MARTIN, DIEGO (Span.). Goldsmith of the fourth quarter of the sixteenth century, about whom Bolzenthal (p. 173) gives the following particulars : " Towards the end of the sixteenth century, an artist, who might pass for a second Cellini, worked for the Electoral Court of Brandenburg, in the reign of the Markgrave John George. A cloud seems to rest over his name and history, which we may perhaps succeed in dispelling. Might he not be identified in the Spanish goldsmith, Diego Martin, whose works ...
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MARTIN, GEORGES LOUIS GABRIEL
MARTIN, GEORGES LOUIS GABRIEL (French). Contemporary Sculptor, Medallist and Gem-engraver, born at Neuilly (Seine); pupil of Fossey and Merley. By him are the following works : 1866. Modesty, cameo in pietra dura; — 1867. Portrait- cameo of Leopold I., King of the Belgians; — 1868. Two cameos in onyx : Marie Antoinette at the Conciergerie, and Portrait of Mme B***; — 1869. Portrait-medallion in bronze of Mme M***; — Portrait of the artist, cameo; — Female head, study, a cameo; — Female head, stu...
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MARTIN, GEORGES LOUIS GABRIEL (French). Contemporary Sculptor, Medallist and Gem-engraver, born at Neuilly (Seine); pupil of Fossey and Merley. By him are the following works : 1866. Modesty, cameo in pietra dura; — 1867. Portrait- cameo of Leopold I., King of the Belgians; — 1868. Two cameos in onyx : Marie Antoinette at the Conciergerie, and Portrait of Mme B***; — 1869. Portrait-medallion in bronze of Mme M***; — Portrait of the artist, cameo; — Female head, study, a cameo; — Female head, stu...
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MARTIN, GUILLAUME (2.)
MARTIN, GUILLAUME (French). Sculptor, Goldsmith, and Engraver of Paris, whose period of activity is comprised between circa 1558 and 1590, which latter date is supposed to be that of his death. Although somewhat inferior to Etienne de Laulne, as an artist, he nevertheless ranks amongst the first Masters of the early French Renaissance Medallic School. On the 24. March 1557 (1558) the Cour des Monnaies authorized him, at the same time as Claude de Héry " ? faire chef-d'oeuvre de tailleuret graveu...
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MARTIN, GUILLAUME (French). Sculptor, Goldsmith, and Engraver of Paris, whose period of activity is comprised between circa 1558 and 1590, which latter date is supposed to be that of his death. Although somewhat inferior to Etienne de Laulne, as an artist, he nevertheless ranks amongst the first Masters of the early French Renaissance Medallic School. On the 24. March 1557 (1558) the Cour des Monnaies authorized him, at the same time as Claude de Héry " ? faire chef-d'oeuvre de tailleuret graveu...
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MASINI, LORENZO
MASINI, LORENZO (Ital.). Venetian Gem-engraver of the eighteenth century, whose signature MASINI or MASINOS occurs on some intagli executed by him. He also imitated antique gems : Diana of the Mountains, in amethyst, signed: A?O???NIOY; — Diana with a bow in her hand, carnelian, equally signed; — Head of Syrius, with a collar, on which is inscribed : ??IOC E?OIEI (a copy). Masini is said to have engraved his name on this gem in the presence of Baron Stosch in whose possession it was; — Head of...
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MASINI, LORENZO (Ital.). Venetian Gem-engraver of the eighteenth century, whose signature MASINI or MASINOS occurs on some intagli executed by him. He also imitated antique gems : Diana of the Mountains, in amethyst, signed: A?O???NIOY; — Diana with a bow in her hand, carnelian, equally signed; — Head of Syrius, with a collar, on which is inscribed : ??IOC E?OIEI (a copy). Masini is said to have engraved his name on this gem in the presence of Baron Stosch in whose possession it was; — Head of...
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