MEIT, CONRAD (Germ.). Sculptor to the Archduchess Margarethe, a friend of Albrecht Dürer, who worked some time at Wittenberg, in the early part of the sixteenth century. He appears to have been also a Medallist, as shown by the Portrait-medal of the young Nuremberg patrician Peter Harsdörffer, signed : CONTRFET VON CONRAT MIT. A model of this medal in alabaster was published by Imhoff, but the inscription could no longer be read. By the same artist is a statuette of Judith in alabaster in the Bavarian National Museum. Similar work to that of the Harsdörffer medal is exhibited on a Portrait-medal in painted terra-cotta of the Archduchess Margarethe, 1528, and this model has a great analogy to the bust of the Archduchess, which Bode ascribes on other grounds to Conrad Meit. It is probable that some of the medals given to Hans Schwarz will have to be restored to Meit, who may also be the author of the Profile Portraits hitherto given to Dürer. On a document he is named "Meister Conrad Schnitzer". Bibliography. — Dr B. Pick, Deutsche Medaillen, 1906.
Source: Biographical dictionary of medallists; coin, gem, and seal-engravers, mint-masters, ancient and modern, with references to their works B.C. 500-A.D. 1900; compiled by L. Forrer, London 1904
Source: Biographical dictionary of medallists; coin, gem, and seal-engravers, mint-masters, ancient and modern, with references to their works B.C. 500-A.D. 1900; compiled by L. Forrer, London 1904
MARTIN, DIEGO
MARTIN, DIEGO (Span.). Goldsmith of the fourth quarter of the sixteenth century, about whom Bolzenthal (p. 173) gives the following particulars : " Towards the end of the sixteenth century, an artist, who might pass for a second Cellini, worked for the Electoral Court of Brandenburg, in the reign of the Markgrave John George. A cloud seems to rest over his name and history, which we may perhaps succeed in dispelling. Might he not be identified in the Spanish goldsmith, Diego Martin, whose works ...
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MARTIN, DIEGO (Span.). Goldsmith of the fourth quarter of the sixteenth century, about whom Bolzenthal (p. 173) gives the following particulars : " Towards the end of the sixteenth century, an artist, who might pass for a second Cellini, worked for the Electoral Court of Brandenburg, in the reign of the Markgrave John George. A cloud seems to rest over his name and history, which we may perhaps succeed in dispelling. Might he not be identified in the Spanish goldsmith, Diego Martin, whose works ...
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MARTIN, GEORGES LOUIS GABRIEL
MARTIN, GEORGES LOUIS GABRIEL (French). Contemporary Sculptor, Medallist and Gem-engraver, born at Neuilly (Seine); pupil of Fossey and Merley. By him are the following works : 1866. Modesty, cameo in pietra dura; — 1867. Portrait- cameo of Leopold I., King of the Belgians; — 1868. Two cameos in onyx : Marie Antoinette at the Conciergerie, and Portrait of Mme B***; — 1869. Portrait-medallion in bronze of Mme M***; — Portrait of the artist, cameo; — Female head, study, a cameo; — Female head, stu...
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MARTIN, GEORGES LOUIS GABRIEL (French). Contemporary Sculptor, Medallist and Gem-engraver, born at Neuilly (Seine); pupil of Fossey and Merley. By him are the following works : 1866. Modesty, cameo in pietra dura; — 1867. Portrait- cameo of Leopold I., King of the Belgians; — 1868. Two cameos in onyx : Marie Antoinette at the Conciergerie, and Portrait of Mme B***; — 1869. Portrait-medallion in bronze of Mme M***; — Portrait of the artist, cameo; — Female head, study, a cameo; — Female head, stu...
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MARTIN, GUILLAUME (2.)
MARTIN, GUILLAUME (French). Sculptor, Goldsmith, and Engraver of Paris, whose period of activity is comprised between circa 1558 and 1590, which latter date is supposed to be that of his death. Although somewhat inferior to Etienne de Laulne, as an artist, he nevertheless ranks amongst the first Masters of the early French Renaissance Medallic School. On the 24. March 1557 (1558) the Cour des Monnaies authorized him, at the same time as Claude de Héry " ? faire chef-d'oeuvre de tailleuret graveu...
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MARTIN, GUILLAUME (French). Sculptor, Goldsmith, and Engraver of Paris, whose period of activity is comprised between circa 1558 and 1590, which latter date is supposed to be that of his death. Although somewhat inferior to Etienne de Laulne, as an artist, he nevertheless ranks amongst the first Masters of the early French Renaissance Medallic School. On the 24. March 1557 (1558) the Cour des Monnaies authorized him, at the same time as Claude de Héry " ? faire chef-d'oeuvre de tailleuret graveu...
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MASINI, LORENZO
MASINI, LORENZO (Ital.). Venetian Gem-engraver of the eighteenth century, whose signature MASINI or MASINOS occurs on some intagli executed by him. He also imitated antique gems : Diana of the Mountains, in amethyst, signed: A?O???NIOY; — Diana with a bow in her hand, carnelian, equally signed; — Head of Syrius, with a collar, on which is inscribed : ??IOC E?OIEI (a copy). Masini is said to have engraved his name on this gem in the presence of Baron Stosch in whose possession it was; — Head of...
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MASINI, LORENZO (Ital.). Venetian Gem-engraver of the eighteenth century, whose signature MASINI or MASINOS occurs on some intagli executed by him. He also imitated antique gems : Diana of the Mountains, in amethyst, signed: A?O???NIOY; — Diana with a bow in her hand, carnelian, equally signed; — Head of Syrius, with a collar, on which is inscribed : ??IOC E?OIEI (a copy). Masini is said to have engraved his name on this gem in the presence of Baron Stosch in whose possession it was; — Head of...
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