ORCHARD, ROBERT (Brit.), Issuer of Tokens, who was residing in London, towards the end of the eighteenth century and early part of the nineteenth. Mr. A. W. Waters has published in the Numismatic Circular, Vol. XV, p. 9728, the portrait of Orchard reproduced above. No engraver's or publisher's name occurs upon the plate ; the coin shown at the bottom is his Farthing, (as Atkins, page 143, no. 763). The inscription reads orchard No. 34 greek street, CORNER OF CHURCH STREET, SOHO, LONDON, GROCER &c. This is printed from the top portion of the second of the set of three plates published by Orchard illustrating the tokens he issued. Orchard's unique "Smithfield Token (illustrated), engraved by James, is interesting as it gives its issuer's portrait.
Source: Biographical dictionary of medallists; coin, gem, and seal-engravers, mint-masters, ancient and modern, with references to their works B.C. 500-A.D. 1900; compiled by L. Forrer, London 1904
Source: Biographical dictionary of medallists; coin, gem, and seal-engravers, mint-masters, ancient and modern, with references to their works B.C. 500-A.D. 1900; compiled by L. Forrer, London 1904
NIDERÖST, G.
NIDERÖST, G. (Germ.). Mint-engraver at Pisa, and Medallist, circ. 1825-1858. His signature : NIDERÖST or initials G. N. or N. occur on gold and silver currency of Leopold II., Grand Duke of Tuscany (1824-1858), struck at Pisa, as : Al. 80 Fiorini, 1827; Ruspone or 40 Lire, 1836 and other dates; Zecchino, var. dates; — AR. Francescone of 10 Paoli, 1836, 1858 and other dates ; Franceschino of 5 Paoli, var. dates; Fiorino of 2 1/2 Paoli, 1847, 1856, and other dates; Paolo, 1858 and other dates; M...
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NIDERÖST, G. (Germ.). Mint-engraver at Pisa, and Medallist, circ. 1825-1858. His signature : NIDERÖST or initials G. N. or N. occur on gold and silver currency of Leopold II., Grand Duke of Tuscany (1824-1858), struck at Pisa, as : Al. 80 Fiorini, 1827; Ruspone or 40 Lire, 1836 and other dates; Zecchino, var. dates; — AR. Francescone of 10 Paoli, 1836, 1858 and other dates ; Franceschino of 5 Paoli, var. dates; Fiorino of 2 1/2 Paoli, 1847, 1856, and other dates; Paolo, 1858 and other dates; M...
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NICHOLYN, LUKE
NICHOLYN, LUKE (Brit.). Mint-master at the Tower of London, from the 17th to the 24th year of Edward III., in conjunction with others. He was a native of Florence, and his name appears in various forms : LOTTO NICHOLYN, JOHN LOTTE NICOLE, LOTTE NICOLI, etc. In a document of 1344, we read : "In the eighteenth year of the king, George Kirkyn and Lotto Nicholyn, of Florence, late masters and workers, were commanded to deliver to Percival de Porche de Lucca, then appointed master and worker, all th...
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NICHOLYN, LUKE (Brit.). Mint-master at the Tower of London, from the 17th to the 24th year of Edward III., in conjunction with others. He was a native of Florence, and his name appears in various forms : LOTTO NICHOLYN, JOHN LOTTE NICOLE, LOTTE NICOLI, etc. In a document of 1344, we read : "In the eighteenth year of the king, George Kirkyn and Lotto Nicholyn, of Florence, late masters and workers, were commanded to deliver to Percival de Porche de Lucca, then appointed master and worker, all th...
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NIKANDROS
NIKANDROS (Greek). Gem-engraver of the hellenistic period, third century B.C. His signature : NIKAN?POC ?MO?l occurs on an amethyst of the old Marlborough collection, representing a female bust, the style of which and arrangement of hair permit us to assign it to the Ptolemaic period. King describes it as a head of Julia Titi. “ Greatly abused ", says King " by Köhler : The portrait without resemblance, executed utterly without taste, and legend and all of modern origin, &c. Dr B., though far ...
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NIKANDROS (Greek). Gem-engraver of the hellenistic period, third century B.C. His signature : NIKAN?POC ?MO?l occurs on an amethyst of the old Marlborough collection, representing a female bust, the style of which and arrangement of hair permit us to assign it to the Ptolemaic period. King describes it as a head of Julia Titi. “ Greatly abused ", says King " by Köhler : The portrait without resemblance, executed utterly without taste, and legend and all of modern origin, &c. Dr B., though far ...
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NILIS, JACQUES
NILIS, JACQUES (French). Medallist of the last quarter of the seventeenth century, about whom little is known, beyond that he engraved several medals of the series of Louis XIV., some of which are signed. His name occurs in documents of the Paris Mint archives, from 1688 to 1693. As Guiffrey suggests, it is possible that Nilis was a relative, and perhaps a brother-in-law of Joseph Roettier, whose first wife's name was Elizabeth Nilis. This artist's usual signature was N, but it also occurs in ot...
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NILIS, JACQUES (French). Medallist of the last quarter of the seventeenth century, about whom little is known, beyond that he engraved several medals of the series of Louis XIV., some of which are signed. His name occurs in documents of the Paris Mint archives, from 1688 to 1693. As Guiffrey suggests, it is possible that Nilis was a relative, and perhaps a brother-in-law of Joseph Roettier, whose first wife's name was Elizabeth Nilis. This artist's usual signature was N, but it also occurs in ot...
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