PERUGINO, LAUTIZIO (Ital.). Seal-engraver, and Medallist of the early part of the sixteenth century, mentioned by Cellini in his autobiography. Milanesi ascribed to him two Portrait-medals, signed L. P., of Giovan Lodovico Toscani ; and by him may be also a medal of D. Adr. de Ladeuse, Venice, 1522, and a Plaque, representing the Adoration of the Magi, in the Victoria and Albert Museum, South Kensington. Vide LAUTIZIO. Bibliography. — Armand, op. cit., III, 161. — Blanchet, Manuel, II, 373.
Source: Biographical dictionary of medallists; coin, gem, and seal-engravers, mint-masters, ancient and modern, with references to their works B.C. 500-A.D. 1900; compiled by L. Forrer, London 1904
Source: Biographical dictionary of medallists; coin, gem, and seal-engravers, mint-masters, ancient and modern, with references to their works B.C. 500-A.D. 1900; compiled by L. Forrer, London 1904
PAPALEO PIETRO
PAPALEO PIETRO (Ital.). Sicilian Sculptor, who flourished towards the end of the seventeenth century and beginning of the eighteenth. He was born at Palermo, but settled at Rome, where in 1695 he became a member of the Academy of San Luca. By him is the Chapel with San Giovanni della Croce in the church of Santa Maria della Scala. The statue of San Fabiano in the Albini Chapel in St. Sebastian's church outside the walls was his last work. Papaleo's signature occurs also on a Portrait-medal (illu...
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PAPALEO PIETRO (Ital.). Sicilian Sculptor, who flourished towards the end of the seventeenth century and beginning of the eighteenth. He was born at Palermo, but settled at Rome, where in 1695 he became a member of the Academy of San Luca. By him is the Chapel with San Giovanni della Croce in the church of Santa Maria della Scala. The statue of San Fabiano in the Albini Chapel in St. Sebastian's church outside the walls was his last work. Papaleo's signature occurs also on a Portrait-medal (illu...
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PAPILLON
PAPILLON (French). Medallist of the first half of the seventeenth century. Mazerolle places the date of his activity between 1600 and 1632. Nothing is known about him. His signature : PAPILLON occurs on two Portrait-medals of Henry II. of Bourbon, prince of Condé, one of which is dated 1632 (illustrated). These medals are not of striking merit. To the same artist, Mazerolle suggests the attribution of Portrait-medals of Etienne Pasquier, 1605 ; R. hercvles gallicvs (49 and 50 mill.), and Gaston ...
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PAPILLON (French). Medallist of the first half of the seventeenth century. Mazerolle places the date of his activity between 1600 and 1632. Nothing is known about him. His signature : PAPILLON occurs on two Portrait-medals of Henry II. of Bourbon, prince of Condé, one of which is dated 1632 (illustrated). These medals are not of striking merit. To the same artist, Mazerolle suggests the attribution of Portrait-medals of Etienne Pasquier, 1605 ; R. hercvles gallicvs (49 and 50 mill.), and Gaston ...
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PAPILLON, DÉSIRÉ GUSTAVE
PAPILLON, DÉSIRÉ GUSTAVE (French). Gem-engraver of the third quarter of the nineteenth century, born at Versailles ; pupil of Langlois, Sézanne and Laloudre. The following works were exhibited by him between 1859 and 1872 at the annual Paris Salons : 1859. Head of Ceres; a study in oriental agate; — 1861. Arethusa, the companion of Diana; intaglio in oriental agate; — Portrait-cameos of Mme veuve R***, and M. G. P***; — 1863. Emmanuel, actor ; shell cameo; — 1864. Laferri?re, actor; shell cameo...
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PAPILLON, DÉSIRÉ GUSTAVE (French). Gem-engraver of the third quarter of the nineteenth century, born at Versailles ; pupil of Langlois, Sézanne and Laloudre. The following works were exhibited by him between 1859 and 1872 at the annual Paris Salons : 1859. Head of Ceres; a study in oriental agate; — 1861. Arethusa, the companion of Diana; intaglio in oriental agate; — Portrait-cameos of Mme veuve R***, and M. G. P***; — 1863. Emmanuel, actor ; shell cameo; — 1864. Laferri?re, actor; shell cameo...
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PAPILLON, JEAN
PAPILLON, JEAN (French). Goldsmith of Tours, whose name occurs also as CHAPILLON, or CHAPPILLON. He engraved in 1499 or 1500, after a model by Michel Colombe, the medal which was presented by the city of Tours to Louis XII. on his visit there, 24. November 1500. Papillon made sixty specimens in gold, one of which is still preserved in the Cabinet des Médailles, Paris (Vide COLOMB, Vol. I). The work of this medal is very elegant, and belongs to the finest specimens of early French Renaissance med...
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PAPILLON, JEAN (French). Goldsmith of Tours, whose name occurs also as CHAPILLON, or CHAPPILLON. He engraved in 1499 or 1500, after a model by Michel Colombe, the medal which was presented by the city of Tours to Louis XII. on his visit there, 24. November 1500. Papillon made sixty specimens in gold, one of which is still preserved in the Cabinet des Médailles, Paris (Vide COLOMB, Vol. I). The work of this medal is very elegant, and belongs to the finest specimens of early French Renaissance med...
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